Our themes are lenses for reading dance, culture, memory, and movement across time and place.

The histories we inherit, the histories we lose, and the histories we create. We investigate dance histories, cultural memory, lineage, heritage, forgotten practitioners, traditions, and the ways movement carries the past.
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How movement becomes composition, performance, and meaning. From traditional forms to contemporary choreography, we examine processes, aesthetics, dramaturgy, space, time, authorship, and the ideas behind performance.
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What happens to movement when people move? We explore African dance across borders, the circulation of bodies and practices, migration, cultural exchange, hybridity, belonging, and the evolving relationship between Africa and its diasporas.
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Movement does not exist outside society. We examine dance in relation to politics, religion, protest, community, class, citizenship, social change, cultural identity, and power.
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What makes a dance scene possible? We investigate funding, labour, careers, entrepreneurship, cultural markets, festivals, institutions, infrastructure, audiences, and the economic conditions surrounding dance.
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The systems around dance matter. We examine cultural policy, institutions, public funding, education systems, intellectual property, labour structures, cultural diplomacy, and the decisions that shape the future of dance.
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What do we leave behind? We explore photography, film, oral history, writing, digital preservation, personal collections, institutional archives, and the politics of deciding what gets recorded, preserved, accessed, and remembered.
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